The latest visual novel I played was called THE SONG OF SAYA. Let me tell you, for a game that came out almost twenty years ago, it feels like it hasn’t aged a day. There’s so much care given to its story and characters. It’s full of truly grotesque moments and the ending I got really resonated. As a visual novel, it has multiple possible endings. I won’t spoil anything, but if you like movies like David Cronenberg’s THE BROOD, you’ll find a LOT to love in SONG OF SAYA.
I can’t believe I’d never even heard of it before a couple of weeks ago. Well, I guess I can believe it, since I’m still relatively new to gaming. Though I used to play as a kid and teenager, I didn’t start gaming in my adult life until last year. Still, you’d think a game like this would be more popular. Anyway, it absolutely should be.
It’s pretty cheap on Steam, just saying.
When I started playing games again a year ago, I didn’t think of it as part of my writing life. It was more along the lines of something I did to wind down. Relax.
Don’t get me wrong. Games can be good for that. I especially love beat em ups, shoot em ups, and (oddly enough) strategy. But visual novels, man. They feel like a genre after my own heart. With a little bit of work, I could see myself making one someday. I’m not showing my hand here or promising anything. But it’s something that’s definitely crossed my mind. I just don’t want to get ahead of myself. Pacing is so important for me so as not to feel overwhelmed by all the things I have in the pipeline.
This weekend, I put down a few thousand words on my collaboration with Wesley Southard. It’s really coming together nicely. Wes has some serious writing chops, a healthy level of enthusiasm, and he’s fun to work with. I’m glad this second entry in my accidental trilogy (composed of collaborations and tributes to existing works) is with him. We’re tipping the hat to the films of Lucio Fulci this time.
I always say write the kinds of books you want to read. Lots of people have said it before me, but it’s something I absolutely vibe with. Doing books modeled after films I love–first with PANDEMONIUM, now with the Fulci book–feels like the most natural thing in the world right now. I think that sense of fun carries over to the writing and makes it fun for the reader, too.
White Trash Occultism, the show I cohost with Kelby Losack and J. David Osborne, seems to be finding its legs. We’ve got two episodes up and two more in the can. We’ll be recording episode 5 this week and then taking a week or two off. My daughter will be born any day now, so to mitigate my mental adjustment, I want to take a couple weeks to just be with my family. In the meantime, you can check out the show on my YouTube channel, or the audio on Kelby’s podcast Heathenish Radio. It honestly probably needs its own YouTube channel, but I’m not in a rush.
That’s it for now. This week will be spent compiling ONE AND ONLY, PART 1 for the eventual digital release and tinkering with an outline for a top secret project I’ll be starting in March or April.