I’m about to make what will likely be one of my final passes on Extinction Peak, my dinosaur horror novel. Some of my work comes from my subconscious and flows rather easily. This book was not one of them. I wrote the first draft almost five years ago. The version that exists today has only the title in common with that old draft.
Weirdly, this book will likely be more fun to read than some of my other titles. It relies heavily on world-building and action, not symbology and style. That’s not to say it lacks depth. If you’re looking for it, my thesis will present itself. That’s all I’ll say about that for now.
Jeff Burk made it official the Monday after Killer Con, so I’ll announce it here: Extinction Peak is set for publication in 2020 by his new press Section 31 Productions.
It’s been a wild few weeks, gang. Hope y’all have been keeping up with the newest episodes of The Mangum Show. If not, you can subscribe here. I’ve recorded almost half a year’s worth of episodes and have been airing them a week at a time. That intensive period of recording is mainly to blame for the relative silence here as of late. But things will pick up again soon. I want to do more videos, as they seem to draw more traffic.
I’ve got two new books out. They’re novelettes, technically, but a good bit of fun, at least I think so.
The first of these is Long Night at Jade’s Diner.
Here’s the back cover description: The patrons and employees of a 24-hour diner face the wrath of an unnamed woman with a gun in this story of pain and the human beings behind the statistics.
Long Night at Jade’s Diner came from multiple places. First, I’ve wanted to address mass shootings in my work for a while, but it wasn’t until I came upon this idea that I found what I thought was the best approach. Second, I read After Dark by Haruki Murakami, and really loved the faux screenplay style of the prose. I loved it so much, I wanted to try it for myself. Lastly, the story is another example of what seems to be a running theme in my work: women in trouble who have to rely on themselves or each other.
I think Long Night at Jade’s Diner contains some of my strongest writing. That’s not entirely thanks to me. I owe great debts to Dr. John Blair, Rae Glassford, and Shelby Guthrie. The former is an author and professor at Texas State. The latter two are great up-and-comers themselves.
The other story is Cruel Summer.
Cruel Summer is currently on Amazon, Apple, Barnes and Noble, and Scribd. More stores are to follow. You can choose your store here.
Here’s the back cover description: A compulsive voyeur named Willow films a couple making love on an empty beach. When the masked killer comes for the couple, she keeps the camera rolling, but before she can escape, the killer sees her. When Willow stumbles into the yard of Sarah, an exhibitionist swimming in the nude, the killer isn’t far behind. Now, the women must fight for survival against a desperate, powerful and dangerous man. A man who’ll soon find out he’s in for more than he bargained for.
As you may be able to tell, Cruel Summer is a bit more playful than Long Night. It’s also very sexual. My starting point was imagining what sort of work would result if James Patterson had hired Richard Laymon to write a piece with him. I kind of just ran with it from there.
You hear a lot about beach reads. Cruel Summer is a beach read for horror fans.
These two pieces represent the poles of my work. The two types of stories I enjoy telling. Long Night is experimental, ambiguous, and emotionally driven. Cruel Summer is pulpy and fun. A lot of times, I end up weaving these approaches together. With these two works, I separated them. Watched them try to stand on their own.
I’ll let you decide whether or not I was successful.
As always, love ya, Mangumaniacs. Thanks for reading.