SAINT SADIST is Now Available on Audible

Hi gang! My Splatterpunk Award-nominated novella SAINT SADIST is now available on Audible. Brilliantly narrated by Melody Muzljakovich, THIS is the way it was meant to be experienced. Check it out here.

Saint Sadist ACX cover

The Essential Lucas Mangum: Into Beyond, 1

Hi folks, I’m Lucas Mangum. I’m an author of dark fiction with several books published by independent presses. At this stage in my life, I’ve noticed my work has a variety of recognizable themes and motifs. With some heavy revisions, putting them together could almost form a sort of meta-narrative. Now, I’m not deluded: I don’t think I’ve originated archetypes or motifs, though I do believe I’ve made them my own. While listening to an episode of the Weird Studies podcast in which they covered the Sun Ra film Space is the Place, I thought it’d be fun to pull out essential passages that best represented this overarching narrative.

I kicked things off with an excerpt from FLESH AND FIRE, originally published in 2016. You can read that post right here or you can get the book in its entirety for FREE (that’s right, FREE) by subscribing to my store’s newsletter.

This week, I want to talk about the world beyond. By this, I don’t necessarily mean the afterlife. I’m fascinated by alternate realities, alternate timelines, worlds layered upon ours, some only slightly different, others vastly different. The concept of infinite dimensions makes the hardships of the here and now easier to digest. I may not have something I want in this world, but another version of me in another place I’ll never visit may have that thing, so in some distant way, I have everything I could ever want or need. Do I believe this absolutely? I don’t know. I think that’s the only honest answer.

As a horror writer, it’s my job to explore the darker side of this. What horrors await us in these infinite other worlds? How can events in other dimensions negatively impact our day-to-day lives?

In my novella MANIA, a controversial independent filmmaker who chooses a supposedly cursed screenplay as his next project. Everyone who has tried filming it has either died or lost their sanity. Despite the book’s short length (30,000ish words), it has some more layers and goes in, what I think, are some interesting directions. A Hollywood cult created the screenplay and orchestrates other sinister events in an ethereal place they call Behind the Scenes.

The excerpt that follows is from late in the book. The main character’s girlfriend has been captured by the cult and he’s been framed for the deaths surrounding the screenplay. A visit by the ghost takes him to the tangential place he needs to go.


Ward woke coughing blood. He spat out a wad of congealed crimson. His ribs and face throbbed in all the places they hit him. At least he knew he was still alive. Marielle never showed.

His first attempt at getting to his feet ended with him collapsing back to the floor. He wondered just how badly he was hurt. Could these injuries kill him? He tried again, using the couch for support. He groaned as the pain spread across his body.

He wondered as he sat in the dark if now, in this moment, that businessman and the others were killing Rachel. How badly would she break down? Would she cry out to him? Or God?

He didn’t want her to suffer, but knew she would.

The futility of any action he could take pressed down upon him, made him cry in the dark. It crushed his will to live.

He cursed and pounded the ground of the apartment. Fresh pain bloomed in his hand and warm blood drizzled from his knuckles. He examined his wounds with morbid fascination. Poked at the scrapes on his hand, flexed his fingers and caused more blood to pour. The outward pain dulled the inward despair.

He slammed his fist into the ground again. This time he grunted against it. He thought he broke a finger. He thought about pain as a doorway, about weakness leaving the body.

Back when he suffered from depression, he once cut himself too deep and had to go to the hospital. Rachel went with him and took him home after the doctors cleared him. She held him, made him promise that he wouldn’t give up, said she loved him and didn’t want to lose him. Remembering this now brought another rush of tears. She hadn’t given up on him, so how could he give up on her now?

He thought of Marielle sparing him in the fire. He shook his head. If she cared about him, why did she kill Jay? He remembered the screenplay and who she was before she became a monster. She was alone, desperate, and afraid, like he was now. She was turned into a monster, but maybe pieces of her old self still remained.

He was never a praying man. Religion had no place in his family. Even his grandparents had a greater interest in the arts than in religion. Now, he imagined himself as a devout man who still cried out to God, even after God killed his loved ones or gave him a crippling disease. Marielle killed his friends and set these dark events in motion. But maybe she could help. He called her before, by working on the film. Perhaps she’d hear his call again.

“Marielle.” He kept his voice at a whisper as he repeated her name.

Ward pressed his fists into his forehead. He shut his eyes. He called to her again and again, tried to picture her.

Panic rose within him as time passed. He thought of Ashton Smith, the doomed director who previously tried to bring Mania to the screen. Ashton went crazy calling for her. Ward wondered if his circumstances were the same.

“Marielle, please, I need your help Goddamn it.”

He rose to his feet, dull aches pounding his ribs. “Please, don’t let them hurt Rachel.”

Ward turned to find her with him. He opened his mouth to scream, but her kiss swallowed it whole.


Instead of the life draining from him, energy poured into him. The pain from his wounds became sources of strength. Redness filled his vision, as if blood poured down the lenses of his eyes. The throb of his heart grew stronger with every beat, pumped fire through his veins.

Marielle pulled her lips from his, pulling him from one dream to another. The first was raw sensation, elevated to its absolute peak. In this new dream, his perceptions changed yet again. His flesh tingled. His pain dulled. An iron gate rippled like a reflection in water.

They were in front of Mr. Whale’s mansion. Ward had a gun in his hand.

“How did we…?”

“Just follow me,” she said.

Her body oozed through the bars, and reformed as flesh on the other side. He stared.

“Come on,” she said.

“You killed all of my friends. You tried to kill me.”

“It was the curse. I couldn’t stop it.”

“Why help me now?”

“They want to replace me. I won’t allow them.”

“And after we’ve stopped them, what then? You go back to trying to kill me? Trying to kill Rachel?”

Her eyes darkened. “I don’t know the future. But right now you need my help.”

He nodded and stepped forward, through the iron. It felt like something reached inside him and massaged his organs. No pain in it.

He followed Marielle up the cobblestone path. The gargoyles turned their heads to watch the intruders, eyes glowing red, mouths twisted into jagged-toothed grimaces. What was once stone was now reptilian skin, the verdant scales glistening as if slimy.

“What did you do to me?”

“I’ve taken you to the temple like you’ve asked.”

“I mean what’s happening to me?”

“All they do takes place Behind the Scenes.”

“Behind the scenes of what?”

“Of the world you know.”

Fascination trumped all fear. As a child, he always liked to watch behind the scenes documentaries telling the stories of how his favorite films were made. A peek Behind the Scenes of the world eclipsed anything he experienced before.

Beneath his feet, the cobblestone cracked and heaved as if something below was breathing. The clouds above swirled, black in color and set against a fiery red sky. The mansion on the hill had transformed. No longer a piece of Gothic architecture, it split and twisted into something out of a German Expressionist nightmare, all zigzags, bends and spirals.

He wondered if he’d followed Marielle into Hell. If so, what waited for him here?


They entered the mansion. Red cracks split the walls of the hallway leading from the front door. Light pulsed from them, making fiery haloes in the darkness. The floor shifted and groaned beneath Ward, as if the house stood on unstable ground, or that long prophesied earthquake had finally struck Los Angeles. Ward held out his arms to keep his balance.

“What now?” he said.

“Go to the room where my story was given to you.”

“What are you going to do?”

“I’m going with you. My congregation must pay for their apostasy.”

They entered Mr. Whale’s crypt of the cinematic dead. Through his new perception, the room had taken on a macabre quality. Theda Bara’s eyes in the poster for Salome bled thick black bile down her cheeks. The walls had turned flesh-colored and expanded like a pregnant belly, the life inside rolling and writhing. Torn pages from books and screenplays fluttered through the air like shreds of confetti, the words upon them written in blood-red calligraphy. Actors and actresses on the covers of DVDs and VHSs spoke garbled gibberish through shredded, oozing lips. A fecal smell choked the air.

Marielle walked to the Salome poster and tore it down, exposing a vertical slit in the wall. She pressed her hands on either side, pressed her face forward. She licked its edges, rubbed her face against it, kissed it. It expanded, leaking clear mucus. She continued to lick, massaged the sides of it with her hands. Flaps of skin grew out along the edges of the slit, embraced Marielle’s head and shoulders.

The slit parted and Marielle dove between its lips. A throaty moan reverberated in the air of the room. As Marielle disappeared inside, her faint voice called to him. He went up to the crevice, held his breath, and attempted to crawl inside.

It resisted, tightening around the edges. He looked the wet hole up and down, recalled how Marielle had gotten through. He bent forward and ran his tongue along its edges. The discharge had the consistency of honey and tasted like white wine. Its fragrance overpowered the fecal stench in the room as the lips opened wider, the flaps of skin again protruding to wrap around Ward’s head. He crawled into the sweet darkness.

The slick walls pressed against him, encircled him with incredible warmth as he inched forward. Blinded by darkness, he moved by feel. Some parts of the passage constricted and he struggled to get through them. In others he could almost stand and walk.

The channel grew wider and spilled out into a dark chamber lit by a single blue orb suspended in the air. Across the room, Rachel hung from a cross.


 

MANIA is available on Amazon.

 

Austin Comic Con

This weekend I tabled at Wizard World’s Austin Comic Con with my friends Max Booth III and John Wayne Comunale. Between meeting readers, we talked all the joys and frustrations of this writing life. We also debated Midsommar and the new Creepshow series, caught up on small-press gossip, and talked shop in general.

We met a ton of new people, some of them aspiring writers themselves and others just excited about books. I thought about giving shout outs, in case some of these wonderful folks drop by my blog but I’m bound to forget someone and don’t want anyone to feel left out.

It’s been a tumultuous eighteen months for me. Talking to my buddies reminded me I’m not the only one who’s struggled. Due to lots of ongoings in our scene and my own mental health issues, I’ve reevaluated who my friends are and who I intend to keep as mere acquaintances. When I first got into this writing scene, I wanted to be everybody’s close friend. As I’ve continued doing my thing, I’ve been reminded of how unrealistic such a goal is.

At the end of the day, you’ve got to decide whose flaws are worth tolerating and whose aren’t.

But the ones who you really gel with and don’t prove themselves toxic are goddamn priceless. I never expected to get rich doing this writing stuff but I did expect to make some of the best friends I’ve ever had. That expectation has been exceeded over and over.

I’m happy to see John Wayne doing well for himself. He’s one of the hardest working writers I know and it’s nice to see it pay off. The two secrets to his success, I think, are his positivity and his nearly militaristic organizational skills. I work hard and I’m positive. Organized? Not so much. That’s something I intend to work on once National Novel Writing Month is in the rearview.

Speaking of. That’s going well. I’ve got 21,000 words on a new manuscript and had a major breakthrough that allows me to combine two narratives I really enjoy into one book. I won’t say much except it’s a coming of age cosmic horror novel. I think there’s a lot to explore by marrying those subgenres. Lots of cool opportunities to play with opposing themes.

I grabbed and already read the first issues of Chaotic Flux, Kinetic, and Lady Frankenstein and the Mummy’s Brain, plus an old issue of Marvel’s Chamber of Chills and the first trade of a series called Cover of Darkness. I don’t read comics often but when I do, I tend to enjoy them. Indie stuff seems to be where it’s at these days, as in literature as well.

I’ve been able to write the books I want to write thanks to the small press. I hope eventually I’ll get to do this for a living but that’s still a ways off. And honestly, things are pretty good. The reviews for Saint Sadist reflect exactly what I wanted the book to do. I’ve got a decently paying screenplay gig in the works. I’ve got two releases slated for next year.

Also, this anthology just went up for preorder: The Big Book of Blasphemy, edited by David G. Barnet and Regina Garza-Mitchell, it features stories by Brian Keene, Ryan Harding, Wrath James White, Monica O’Rourke, myself, and many, many more. My story, “Sister Scar,” is basically a Hemingway-esque WWI story but nunsploitation. You preorder The Big Book of Blasphemy right here.

Last but not least, Blood and Brimstone, the sequel to Flesh and Fire has come to an end. It’s serialized on my Patreon the last few months. You can read it in its entirety here.

That’s it for now, gang. Take some time this week to appreciate the people in your life. You’ll be glad you did.

Extinction Peak-A Novel of Dinosaur Horror

I’m about to make what will likely be one of my final passes on Extinction Peak, my dinosaur horror novel. Some of my work comes from my subconscious and flows rather easily. This book was not one of them. I wrote the first draft almost five years ago. The version that exists today has only the title in common with that old draft.

Weirdly, this book will likely be more fun to read than some of my other titles. It relies heavily on world-building and action, not symbology and style. That’s not to say it lacks depth. If you’re looking for it, my thesis will present itself. That’s all I’ll say about that for now.

Jeff Burk made it official the Monday after Killer Con, so I’ll announce it here: Extinction Peak is set for publication in 2020 by his new press Section 31 Productions.

Killer Con 2019 Itinerary

The following is my Killer Con itinerary:

Thursday night around 7ish, you can find me at the bar.

Through most of Friday, I’ll be in the dealer’s room lending a hand to those who need one, BUT Friday night I’ll be a contestant in the Wings of Pain Challenge, which starts at 8:30. “But, Lucas, aren’t you vegetarian?” To that I say, “Shane McKenzie was kind enough to get me plant-based wings so he can punish me with hot sauce.”

Friday at 9 pm, you can find me at the Death’s Head Press party in the Convention Suite. That is, if Wings of Pain doesn’t totally ruin me.

Saturday, I’ll be supporting folks in the dealer’s room again, but after that, you can listen to me and several others as we take part in the panel How Not to Kill Yourself, which is all about staying sane while writing about terrible things. The panel starts at 6 pm.

Like last year, I’ll be participating in the Grossout Contest at 10 pm on Saturday. Unlike last year, I’m walking home with first prize this time around. At least that’s the goal!

At 1 pm on Sunday, I’ll be a part of the Clash Books reading block.

Now, I’ll be around all weekend, but these are the parts of my itinerary that are set in stone. Hope to see my Mangumaniacs there!

Want to attend Killer Con? You can register here.

Blood and Brimstone, Chapter 13 – Free Serial Novel

When she finished sessions for the day, she gathered all her notes and her laptop. She flipped to the first page of her legal pad so it would sit more comfortably in her bag. The symbol Katie sketched that morning caught her eye and made her pause. She studied the image, its curves and angles, the herd of animal impressions spiraling toward its center. There was something undeniably captivating about it, though she was sure she had never seen it before. She traced the angles with her index and middle fingers. The paper hissed at her touch.

Having studied the occult during college, she had a hard time believing she didn’t recognize the symbol. She thought of Dr. Carlyle, the professor who she interviewed for her thesis, and wondered if he would know something about the symbol. A part of her wanted to let it go, but she was worried about Katie.

Every once in a while, in her profession, a client came around who she felt connected to. Something deeper than a patient-therapist relationship existed between them. The first time it happened, she fell in love with a patient named Arthur. She had just graduated and Arthur was close to her age. When they spoke, it reminded her of good music, each instrument a complement to the other, shifting between each voice in perfect time. After one particularly passionate session, he kissed her, and she let him. She even returned his affections. Realizing her error, she recommended him to a colleague and told him they couldn’t see each other personally, or professionally, because it just wasn’t right. Six months later, he committed suicide. Hanged himself in the foyer of his parents’s house.

While Ruthanne had no romantic feelings for Katie, she did think of the young woman as a friend. She had a personal investment in Katie’s recovery. Because of this, she had no qualms going above and beyond to figure out ways to help. She would never let Katie go, not like she let Arthur go. Sometimes a therapist lost a patient, but she refused to lose another she cared for this deeply, especially not when a possible answer lay before her. If she could find out more about the symbol, she might better understand what Katie was going through.

Ruthanne reopened her laptop and looked up Dr. Carlyle’s phone number. She dialed, not expecting him to answer. On the third ring, he picked up.

“Dr. Carlyle? It’s Ruthanne. Ruthanne Weiss.”

“Ruthanne, well, hello. How are you this evening?”

“I’m okay. I’m sorry to bother you, but I was wondering if you could look at something for me. Can I scan it to you?”

“Sure, you still have my email?”

She read it back to him.

“That’s the one.”

“Great, I’ll send it right over.”

“What are you sending me?”

“It’s a symbol one of my patients drew. I… don’t recognize it, but I thought you might.”

“Still chasing spirits, I see.”

“Did you ever stop?”

“No, I don’t suppose I have. Go ahead and send me the image.”

“Will do. Thanks.”

“So long, old friend.”

They hung up and she went to the office scanner, typed in his email, and sent the sketch of the symbol. She waited, sitting still for the first fifteen minutes, and then she started pacing. When he didn’t call back a half hour later, she tried calling him. No answer.

It’s okay. Just give him time. Maybe he’ll call tomorrow.

She took the sheet from the scanner and stared again at the symbol. It hypnotized her, until she made herself stuff the paper into her bag, and finally left the office.