Playtime

It’s Saturday morning, somewhere in Texas. My son is playing with his  Transformers. I got a couple of nice royalty payments this week, so I decided to get Game Pass for my PC. If you’ve got X-Box game recs, hit me up in the comments.

Games and comics are good for winding down. I still very much enjoy reading prose, but because doing so is necessary in order to keep my writing tools sharp, it sometimes feels more like work than play.

And I need to play.

It’s not just something kids do.

It’s something adults need.

Lately, I’ve been playing  Magic, the Gathering: Arena . It’s a lot of fun. I didn’t play  Magic as a kid, but always wanted to. There’s a lot to learn, but again, in the context of play, it doesn’t feel like work.

Reading comics and playing games has strengthened my writing, strangely enough. While I want Spider God (Gods of the Dark Web, Book 2)  to have the quick pace of its predecessor, I want it to be more epic in scope. I want to deepen the world and give the characters more complications as they move toward their ultimate destinies.

Comics and games are great for this. Not only are the worlds rich, they enhance and keep the pace fast by having each obstacle tied to a different setting. Interaction with the world has a very specific role in the plot mechanics. I think that’s something prose writers can really learn from. I know I certainly have.

I’m about 11-12,000 words into Spider God. I’m shooting for 60,000, but I’d be happy with 50,000 and thrilled with 70,000. We’ll see where I land.

Yesterday, the audiobook for my Splatterpunk Award-nominated novella Saint Sadist was released. Today, it’s placed #88 in Gothic Horror audiobooks, so that’s pretty dope. You can help me reach #1 by ordering your copy here. It’s free with an Audible membership, or you can cop it for the price of a venti mocha. I know a lot of you have read it on paperback or e-book, but believe me when I say the audio, performed by Melody Muzljakovich, is the way this story was meant to be experienced. She brings the narrative and its characters to chilling life.

That’s it for now. Stay safe out there and remember: take time to play.

Tag Team Writing

As I write this, I’m getting ready to chat with critic and filmmaker Scout Tafoya about a project we hope to collaborate on. We haven’t properly worked together since 2013 when we wrote and he filmed the psychosexal alien thriller Epigenesis, which is currently under submission at various festivals. I always learn so much when he and I talk. We are both critical of some of the pretensions present in this wave of “elevated” horror. His films, while not for everybody, have a naturalism and a humanism that I long to see whenever I go to the movies. Also, his video essays are must-see content. I’m excited to see what we come up with together.

Speaking of collaborations, I’m nearly 30,000 words into a novel co-written by myself and extreme horror luminary Ryan Harding. It’s a tribute of sorts to the insane Demons franchise, set during an underground pro-wrestling show.

Actually, a lot of what I have in the works are collaborative projects. Co-writing a book can be a disaster. Sometimes there’s a styles clash, other times one partner takes the project more seriously than the other. Any number of things can go wrong. But when you’ve got a clear, mutual vision, man, it can be like lightning in a bottle. I plan to write more about collaborating sometime soon. Just not sure if I want to do it here or on my Patreon page.

Speaking of, I’ve posted 25 more pages of Blood and Brimstone, the sequel to Flesh and Fire. You can access them for as little as a dollar right here. Being back in this world is almost like collaborating with myself. There’s a lot of distance between me and this project’s initial inception. I think it will lead to some tighter writing, since I’m less attached to passages I may have to end up cutting. We’ve got 50-ish pages left of Blood and Brimstone, then I’ll start a new serial novel for patrons. I’m thinking it will be a novelization of my yet to be filmed paranormal thriller Seedlings. With the screenplay written, I’ve already got the bones for a novel. I just need to give it some muscles and skin.


Last night I watched the low-budget video nasty Invasion of the Blood Farmers for the first time. It had quite a charm to it. I’d recommend to fans of ultra cheap, campy horror movies.

I’m currently reading To Wallow in Ash and Other Sorrows by Sam Richard, a writer who I’m proud to call a contemporary.


That’s it for now, gang. As always, you can follow me on Twitter @RealLucasMangum.